Aesthetics and culture · east and west

目录
Prefaces
The East-West Collaboration for a New Aesthetics(Prefaces)
Develop World Aesthetics via East-West Dialogue
Part Ⅰ. Contemporary Significance of Chinese and Asian Aesthetics
A General Survey of Traditional Chinese Aesthetic Studies
What Is Chinese Aesthetics?
Korean Mask Dance Drama:an Example for the Cultural Self-Assertion
Dynamic Process of Beauty in Chinese Aesthetics:Creative Harmonization as Interpenetration of Poetry and Painting
Cultural Characteristics and Basic Forms of Chinese Poetics
Translating the Untranslatable:Approaches to study Chinese Culture
Poetic Wisdom of Nature Revived through Classical East-Asian Aesthetics
Reclaiming the Body:Francis Bacon's Fugitive Bodies and Confucian Aesthetics on Bodily Expression
序
东西方合作，寻求新美学(代序)
在东西方对话中发展世界美学(代序)
第一部分 中国与亚洲美学的现代意义
中国传统美学的大发展
什么是中国美学?
韩国假面舞剧：文化自证的范例
中国美学中美的动态化过程：诗画交融的创造性和谐
中国诗学的文化特质和基本形态
译不可译之文——研究中国文化的方法
大自然的诗性智慧在东亚古典美学中复兴
The Pagoda:A Typical East-Asian Architectural Structure and Its Adaptation within European Garden Structures in 18〓 and 19〓 Century
The Rebirth of Traditional Chinese Aesthetics
Taoist Thought and Contemporary Eco-Aesthetics
Worldwide Significance of Chinese Aesthetics in 21〓 Century
Part Ⅱ. Comparison between East-West Aesthetics and Arts
Interactions between Western and Chinese Aesthetics
Pragmatist Aesthetics and Asian Thought
The Concept of the Profound,East and West
The Cultural Imagination of the East and the West
The Aesthetics of Piety in Plato and Confucius
Schopenhauer,Aesthetics and Eastern Philosophy
Merleau-Ponty and East Asian Aesthetics:Formless Form and Looking without Seeing
Some Influences of Chinese Calligraphy on Western Modernism
Part Ⅲ. Development of Contemporary Aesthetics and Art Theory
The Long Gaze of the Epic:On Tambours sur la digue by Cixous/Mnouchkine
身体的回归：弗朗西斯·培根隐晦的身体与儒家身体美学
18、19东亚宝塔在近代欧洲花园设计中的应用
试论中国传统美学的新生
道家思想与当代生态美学
中国美学在21世纪的世界性意义
第二部分 中西美学和艺术的会通与比较
中西美学的互动与会通
实用主义美学和亚洲思想
东方和西方：“深奥”之概念
东西方的文化想象
论柏拉图与孔子的“虔诚”与“孝”之美学
叔本华、美学与东方哲学
梅洛·庞蒂与东亚美学：“无形之形”与“视而不见”
How Can We Get beyond Anthropocentrism?
Art:Between the Death and the End?
Conceptual Art East and West:A Base for Global Art or the End of Art?
East and West-United Polarities:The Critical and the Ego Fugal
The Territory of Identity
Aesthetic Experience as Present Experience:One Dimension of Chinese Aesthetics
Aesthetics as a Multi-Faceted Theory Grounded on the Principal,that Is Oriental,Sources of Thinking and Feeling
Appendix
AppendixⅠ: Editors' Note:A Momentum for Aesthetic Development in the New Millennium
AppendixⅡ: A Brief Account of Chinese Society for Aesthetics
AppendixⅢ: (China)A List of Publications on Aesthetics(Anhui Educational Publishing House)
举例说明中国书法对西方现代主义的影响
第三部分 当代美学与艺术理论的发展
史诗性的瞭望——论《堤防上的鼓手》
如何超越人类中心主义?
艺术在死亡与终结之间吗?
东西方的概念艺术——全球化艺术的基础还是艺术的终结
东西方两极的联合：批判与自我迷失
认同的领域
审美经验作为呈现经验——中国美学的一个侧面
美学作为多层面理论——主要基于东方的思想与情感资源
附录
附录一 编者的话：新世纪美学发展的契机
附录二 中华美学学会的成立与组织机构
附录三 安徽教育出版社美学图书总目
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