简介
Summary:
Publisher Summary 1
Johnson (art history) and Oliver (dance, women's studies; both teach at Providence College in Rhode Island) have edited a selection of readings on women working in diverse media, including dance, music, installation, photography, architecture, poetry, literature and theater. The works of Laurie Anderson, Gwendolyn Brooks, Jane Campion, Judy Chicago, Zaha Hadid, Pauline Oliveros, Yvonne Rainier, Cindy Sherman, Amy Tan, and Paula Vogel are considered for the approach each displays to issues of gender and feminism in markedly accessible writing. The contributors are academics; two are graduate students. Annotation c. Book News, Inc., Portland, OR (booknews.com)
目录
List of Illustrations p. vii
Acknowledgments p. xi
Preface p. xiii
Introduction p. 1
Chapter 1 Disappearing Act: Yvonne Rainer, Trio A, and the Feminist Dilemma (1966) Wendy Oliver p. 23
Chapter 2 The Poetry of Gwendolyn Brooks (1970s-80s) Annie Perkins p. 43
Chapter 3 Sounding the Abyss of Otherness: Pauline Oliveros' Deep Listening and the Sonic Meditations (1971) William Osborne p. 65
Chapter 4 The Secularization of the Sacred: Judy Chicago's Dinner Party and Feminist Spirituality (1975-79) Deborah Johnson p. 87
Chapter 5 Cindy Sherman's Untitled Film Stills: Reproductive or Transgressive Mimicry? (1977-81) Maura Reilly p. 117
Chapter 6 Zaha Hadid: The Peak Club Competition and the Politics of Architecture (1982) Loretta Lorance p. 141
Chapter 7 This Is Not a Story My People Tell: Musical Time and Space According to Laurie Anderson (1984) Susan McClary p. 161
Chapter 8 Erecting a Statue of an Unknown Goddess in Amy Tan's The Kitchen God's Wife (1991) Phillipa Kafka p. 189
Chapter 9 Jane Campion's The Piano: A Feminist Tale of Resistance (1993) Denise Bauer p. 211
Chapter 10 Yielding to Multiplicity: The Kaleidoscopic Subject of Paula Vogel's How I Learned to Drive (1997) Sarah Lansdale Stevenson p. 227
Notes on the Contributors p. 251
Resource List p. 255
Index p. 257
Acknowledgments p. xi
Preface p. xiii
Introduction p. 1
Chapter 1 Disappearing Act: Yvonne Rainer, Trio A, and the Feminist Dilemma (1966) Wendy Oliver p. 23
Chapter 2 The Poetry of Gwendolyn Brooks (1970s-80s) Annie Perkins p. 43
Chapter 3 Sounding the Abyss of Otherness: Pauline Oliveros' Deep Listening and the Sonic Meditations (1971) William Osborne p. 65
Chapter 4 The Secularization of the Sacred: Judy Chicago's Dinner Party and Feminist Spirituality (1975-79) Deborah Johnson p. 87
Chapter 5 Cindy Sherman's Untitled Film Stills: Reproductive or Transgressive Mimicry? (1977-81) Maura Reilly p. 117
Chapter 6 Zaha Hadid: The Peak Club Competition and the Politics of Architecture (1982) Loretta Lorance p. 141
Chapter 7 This Is Not a Story My People Tell: Musical Time and Space According to Laurie Anderson (1984) Susan McClary p. 161
Chapter 8 Erecting a Statue of an Unknown Goddess in Amy Tan's The Kitchen God's Wife (1991) Phillipa Kafka p. 189
Chapter 9 Jane Campion's The Piano: A Feminist Tale of Resistance (1993) Denise Bauer p. 211
Chapter 10 Yielding to Multiplicity: The Kaleidoscopic Subject of Paula Vogel's How I Learned to Drive (1997) Sarah Lansdale Stevenson p. 227
Notes on the Contributors p. 251
Resource List p. 255
Index p. 257
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